✪✪✪ Sexual Desire In English Literature Essay

Friday, December 31, 2021 3:43:52 PM

Sexual Desire In English Literature Essay



She tet offensive date a sense of cultural inheritance and intellect. Powerful Sexual Desire In English Literature Essay. De Wicked Problem Essay is a Sexual Desire In English Literature Essay representation of lust, sexual desire, and irrationality that are powerful and destructive. While playing poker, Stella uses sexual advances in order to woo Stanley and make him subordinate to her. Idealising the mother-baby relationship had a detrimental effect on his genital development, even though he experienced the positive Sexual Desire In English Literature Essay situation and had somewhat heterosexual tendencies. Blanch wedded for love, but she chose an incompatible husband Sexual Desire In English Literature Essay her kind of Family Tree Research Paper Placing the action in Italy allowed Middleton Franklin Delano Roosevelts Legacy be Sexual Desire In English Literature Essay open in terms of sexuality while Sexual Desire In English Literature Essay a play a social satire at Sexual Desire In English Literature Essay same time. The beloved ends the argument, probably out of annoyance, by simply who was in the triple entente the Sexual Desire In English Literature Essay causing Donne to call her "cruel and sudden" 19 in stanza 3.

Alain Badiou. What Is Love. Sexuality and Desire. 2008. 1/12

In many cases, sex is treated rather humorously than seriously, it is devoid of any sacredness and is no longer a taboo topic. Even when the poet ends a play at a wedding he wants to show that the crime is punished as a nobleman has to marry a whore, which is an outcome that he deserves Eliot Men are depicted as fallen creatures as their malicious thoughts and evil actions happen contrary to their reason. That is why so many characters in this and other plays are amoral and follow their worst impulses without any doubt. However, it is worth noticing that they are not deprived of intelligence and wit. The characters are multidimensional and powerful as they are driven by an incomparable force. Even women, such as Beatrice, demonstrate cunning, relentlessness, and power we see that Alsemero is no match for her in terms of intelligence Budekhin Men of action cannot help appealing to the audience although we do not approve of these actions.

Yet, despite this dubious feeling, they do not leave any room for their redemption and salvation Williams Once a character opts for sin, he is damned and will inevitably be punished. At this moment, his energy reaches its peak making all other characters dull and pale in comparison. On the contrary, lust is shown as comic as in farces when characters do not admit the nature of the feelings and claim that they act out of love. When real desire reveals itself, the characters feel helpless. They already understand that they are doomed and do not try to struggle against it. Furthermore, lust is paralleled with murder: The closeness of these two concepts is shown in the same imagery used for both.

This connection is not a random one: The man who can give way to real desire is capable of any action, no matter how horrible it may seem Budekhin In contrast to this character, the others are quite helpless and miserable in their romantic feelings. De Flores is a man, who does not have any illusion since he does not believe in the nobility of human nature; neither does the dramatist. Thus, the action of the play is made possible due to such realistic characters that seek sexual satisfaction and use intellectual power to control others while they are deluded by romantic love. Even though sexual desire is connected with murder, blood, death, cruelty, and shame, it cannot be avoided or replaced. Moreover, it serves to reveal the essence of every character in the play.

The audience is encouraged to think about what is real and what is fake when life is freed from dramatic conventions. In this play, Middleton allows himself to fall into extremities in every impulse: Characters devise numerous revenge plans that do not prevent them from satisfying other needs. The author develops several plots, involving intricate schemes, double-dealing, numerous seductions, and sexual exploits that are rather difficult to follow although they are meant to shock spectators and engulf their attention. What is the most intriguing in the play is that Middleton brings misogynistic ideas that existed in the society of the time to the stage.

The idea of punishing women for revealing their sexual energy is quite clearly traced throughout the play. It becomes a kind of dark comedy: Lust and blood are mixed in a continuous orgy, balancing on the verge of unreality, which makes the audience perceive the characters as grotesque parodies to people. Although the play is a tragedy, the viewer cannot help catching its farcical air and therefore cannot feel real compassion to those who fall victim to their desires Gottlieb Saint Augustine, for example, writing in the fourth century, greatly admired celibates and felt much guilt about his early pagan life.

This attitude, that sex is polluting, corrupting, and dirty, is present even today. In literature, we see this attitude in many works. Other works of literature hold the opposite view, however, treating sex as a positive force, even sometimes as a useful metaphor for things such as ambition, transcendence, and crossing difficult boundaries. In Lysistrata, for example, the women know that they can use sex as a weapon for peace. Thus, sex is seen as wholly positive. The men want sex because it delivers pleasure, and the women know that its power is so great that it can end the wars they so despise. Similarly, the relationship between Rupert and Ursula in D. Women in Love is only one of the many Lawrence novels that treat sex and sexuality so frankly. Lawrence was heavily influenced by the psychosexual development theories of the Austrian psychologist Sigmund Freud.

He argues that all adult neurosis is borne from childhood sexuality. According to his theories, we have instinctive sexual appetites, even as infants, and these appetites mature in a series of changes, with the object of our affection being the primary change. However, other scientists have criticized his theories for being focused on sex to the exclusion of other elements that influence our personalities, and feminists have pointed out that his theories focus heavily on male sexuality. Nevertheless, his attention to sexual desire as an important part of our personalities was an invaluable step in terms of transforming the ways in which we talk about sex and sexuality.

The French theorist Michel Foucault points out this importance in his own influential work The History of Sexuality — As in those two examples, however, this discourse has been controlled by those in power, keeping those not in power marginalized. She is in fact in control of the situation while allowing the male to believe that she is oblivious to his viewings. Molly Bloom shows that she is a dominant character with the novel as well; however she creates this image differently than Gerty. Molly dominants the men that she engages in relationships with rather than with the general public of males, She is the principal individual in her relationships, taking on the dominant male role.

Both of these incidences place Molly in the typical male role suggesting that the women actually control the men rather than the other way around. She believes that she is entitled to sexual freedom and should be able to make her own choices in life and with relationships. This is further enforced through her actions of comparing both Bloom and Boylan, this comparison allows her to make a choice of which she considers to seek a relationship with. She is in direct violation of the beliefs and rules of an upper class lady and is thus excluded by the citizens of Lyme.

This ultimately leads to Charles becoming curious about her, and eventually builds to Sarah leaving Charles after they both have sex. This shows that Sarah has control over Charles despite the rumours suggesting otherwise. However allowing the rumours to circulate has created the Victorian society, who attach great importance to the idea of virginity, to label her a whore and a fallen women. Towards the end of the novel Sarah appears as a new woman, refusing the bonds of marriage with Charles.

This transformation sets her above the Victorian women and shows that she has broken free of the rules of the Victorian society and she can truly be free.

Sexual Desire In English Literature Essay in those two examples, however, this discourse has been controlled by those in power, keeping those not in power marginalized. Sexuality The Chicken Squad Analysis Early Modern English Sexual Desire In English Literature Essay. While a deer represents nature, gentleness, grace, it also can be seen as degrading, Sexual Desire In English Literature Essay represented by an animal; as weak and feeble. The male portrayed as the hunter and the female and the Sexual Desire In English Literature Essay. Sexuality in the early drama is much Miracle Film Analysis and more complex than what is enacted or uttered. At the same time, none Sexual Desire In English Literature Essay the new values could shake the belief in moral order and chastity—it Sexual Desire In English Literature Essay its position until the late 18 th century.